Doctor Sleep by Stephen King New York: Audioworks 2013 Performed by Will Patton 15 sound discs (18 hours)
I imagine that everyone who likes horror fiction has read The Shining by Stephen King. It is a horror classic, the ultimate "haunted house" book. The story of Danny, his parents, Mr. Hallorann, and the ghouls of the Overlook has given many people nightmares for years, and the movies haven't helped. I have heard that one of the iconic and scariest movie moments is Shelley Duvall's portrayal of Wendy behind the bathroom door, screaming for dear life while her husband, Jack, chops down the door with an ax.
For me, the scariest horror book moment is the vision of the dead woman in the bathtub in Room 217. This is the book I listen to every winter on my long drive home from my job at the library, the snow swirling around me. The story makes my drive seem like a walk in the park compared to what the Torrances are going through.
Needless to say, we have all been wondering and waiting and hoping for a sequel to tell us how Danny turned out after his experiences in the Hotel of Horror. Would Danny ever have the chance of a normal life after seeing the Woman in Room 217, the ghost of Mr. Derwent, and those hedge animals, all at the age of 5? I don't know if anyone of any age would be left unscathed.
What excitement I felt when I heard that Stephen King was writing a sequel to his most famous story! I was one of the first on the library list for the audio book and waited several months for it to be ready. And now that I have finished, the wait was worth it!
Danny is much older. He still has "the shining" but he has been trying to drown it in the bottle, becoming an alcoholic like his father. I was really sadly disappointed that Dan gave in to alcohol, especially having seen what drinking did to his father and mother. But, thinking about it, the problems that he faced then and after were so overwhelming that perhaps it isn't surprising that he would turn to anything that would help him forget. But what sadness for me that he hasn't turned out okay after all!
Danny finds AA meetings and a job as an orderly at a hospice in a small town in New Hampshire. We see that he is lucky in his choice of new homes, since his support system is very strong, and Dan changes his life dramatically. Through his work at the hospital, he becomes known as "Doctor Sleep," invoking the childhood nickname and his use of the shining to help the dying pass on.
Then we meet Abra Stone, a young girl born with a phenomenal shine. She lives nearby and has somehow connected with her mind from a very young age with Dan, even before the two met. Abra becomes the key to Dan's further adventures with horror.
Enter the True Knot, a group of "steam" sucking vampire-like near-immortals. Steam is their term for "the shining" and they travel the country in motor homes, posing as ordinary retired people, seeking children rich in "steam". Once they find these children, they hypnotize them, take them to secluded places, torture them to increase the potency of the steam, and suck it out, killing the child in the end. The children are usually never found again.
This works very well for a long time for the True Knot, until one day when Abra and her incredible "steam" witnesses what they are doing to one of the children, the "baseball boy". To make a long story short and not give away too much, the True Knot discover that she is on to them and also that her steam would be an absolute feast. Abra must outwit characters who have been outwitting humans for centuries, and Dan is called upon to help her.
The Stanley Hotel in Estes Park, Colorado--
the inspiration for the Overlook Hotel
Of course, the Overlook Hotel is present in this new book, too. We return through Danny's flashbacks, but coincidentally (or not), the True Knot own a campground and lodge on the site of the Overlook. This is the location of the final showdown between their leader, Rose the Hat, and Danny and Abra. The place has not lost its horrifying ambience for readers, and the spirits that haunt it are still there, but this time Dan is in control.
The reader of the audiobook was excellent and made the 18-hour listen was worth it.
Monsters Book 3 in the Ashes Trilogy by Ilsa J. Bick New York: Egmont USA 2013 688 pages
I feel like I have climbed Mount Everest or gotten an A on a very difficult final exam. What have I really done? I have finally finished the monster-sized book in the Ashes Trilogy, Monsters.
This book is less about the zombie-like Changed eating habits and more about the other monsters of the story, the humans who attempt to control them and those that fight against them. Topping the list is Finn, an old veteran who seems to have a way with the "Chuckies" and has been performing experiments on them and conditioning them to do his bidding. He has captured Peter, one of the Spared from the town of Rule, and has managed to nearly brainwash him into acting like the Changed. I think Finn uses a form of mind control, rather like what Alex has with the monster in her head, the brain tumor.
Alex can can communicate with dogs and the Changed, leaping into their brains to see through their eyes. This has come in handy sometimes, and she has been Spared in many ways besides surviving the initial electromagnetic zap, but it is also rather disturbing and scary to her to let her tumor take control of her actions.
It was rather a relief to have the many story lines--the Rule people, the Finn camp, the Amish camp in Oren, Tom and the kids, and Alex with Wolf/Simon--all merge together better. It was rather difficult keeping up with all of the action of each group, and when they begin to interact, I felt like the story was less confusing and moved along faster. I was especially glad when the initial threesome--Tom, Alex, and Ellie--found out that they are all still alive, despite all of the terrible things that have happened to them.
The final confrontation with Finn and Alex, on which I won't elaborate, is somewhat unexpected and terrifying, maybe a little bit cheating because it involves an unexplained element. How can Alex do what she does? I guess Alex doesn't know herself.
Thinking about the series as a whole, I am rather disappointed that I still don't know anything about what caused the electromagnetic pulse or how it affected the outside world. We only encounter people in this small, very isolated portion of the country. Are people all over going through this, too? Who else has survived? Is it safe to venture farther away to find others? Our survivors haven't done that by the end of the book, making a home for themselves in a beautiful, isolated valley, but maybe they will once they recover.
And if you imagine that electromagnetic pulses are not possible, you can find out more here:
starring Mia Farrow, John Cassavetes, and Ruth Gordon
Directed by Roman Polanski 1968 136 minutes Rated R
Rarely has a movie so closely duplicated a book. I recently read the Ira Levin novel about Rosemary, her husband Guy, their unusual neighbors Minnie and Roman Castavet, and the baby we never see but are all waiting for with anticipation. I had seen the movie several times, and it is definitely one of the horror classics that everyone should see eventually.
Usually when we are comparing movies to the books on which they are based, we lament all of the details and, sometimes, total major story elements, that are lacking from the movie version. With Rosemary's Baby, there are many elements that were included that we readers don't always think about, from Rosemary's hair style, the colors in the nursery, the print of her dress, the decor of Minnie Castavet's living room. Roman Polanski was very conscientious about incorporating Ira Levin's details into the movie.
Reading the book after seeing the movie, then, was like reading the script.
Rosemary and Guy are married. Guy is an actor and has performed in off-Broadway plays and in television commercials. He isn't exactly unsuccessful, but he has ambitions. I think Rosemary, although not exactly mousey, definitely thinks life revolves around Guy. The pair find a new apartment in a large and very creepy apartment building. We are meant to think it's creepy, and their friend, Hutch, tries to convince the Woodhouses of the creepy factor with his dinner conversation, but they are convinced that it is a good address and a bargain.
"The Bramford" aka The Dakota, New York City
All seems to go well in the beginning of the movie. The couple moves in, they beautify the apartment, Rosemary makes curtains and cushions, and Guy, although he doesn't get one part he wants, gets some other minor parts. Then Rosemary meets the girl who is staying with the old couple next door while she is doing the laundry in the dismal basement. This event, too me, seems to be the catalyst that changes the Woodhouses lives, and not for the better.
Guy and Rosemary meet the Castavets at the death scene of Terri, the girl who lived with them but mysteriously jumped out of the window. We wonder, as does Rosemary, why this nice, lively girl who seemed to have everything going for her, would commit suicide like this, as if she was trying to get away from something horrible in her apartment. And what about the Castavets? The first view of Minnie and Roman Castavet is quite memorable. They stand out in their polyester, brightly colored clothes, and what's not to love about Minnie's turban? I suspect even in 1967/1968, they were unusual looking. I am reminded of descriptions of the dandies of 18th Century Bond Street.
This initial meeting leads immediately into dinner the next day. Little does Rosemary know, but her ambitious husband has been quickly appraised by the Castavets as weak and suitable for their purpose. He is easily swayed to give away his wife to their plan for the fame they can offer. Poor Rosemary. She deserves so much better than that.
Once we know about the baby on the way, we are struck with the disparity between Rosemary's hopes and plans for a normal pregnancy and healthy baby and the symptoms she is exhibiting that are unusual and shocking. We know something bad is going to happen and that the baby won't be the Andy or Jenny that Rosemary wants and envisions.
I think the book does a bit better at explaining Rosemary's past religious life, her feelings about the nuns at school, and her indecision about God and religion in general. I think she is so in love and insubordinate to Guy, who seems quite atheistic. Rosemary quietly echoes the irreverent statements of Guy and, to a lesser degree, the Castavets, at their dinner parties, but I think she is really uneasy about what she hears them say.
Another thing that struck me is the difference between the Mother of the Son of God and the mother of the son of Satan. Mary was asked if she would be the mother of the Savior of the World and, when asked, said "Yes." Rosemary, on the other hand, was NOT asked and never agreed to it. If asked, she would have said, "NO!" I rather think this is a story flaw, and I think it would have been a more interesting and complicated story to try to trick Rosemary into saying "Yes."
Here is the original trailer:
For those of you who are interested in what happens to Rosemary and her baby, there is a sequel written by Ira Levin in 1997. "Andy" is grown up now and Rosemary has been in a coma, thanks to Roman Castavet, to keep her out of the way in the rearing of the devil child. I am not going to tell you more, but the sequel is actually quite disappointing, especially since Rosemary's Baby is a horror classic. The ending is really just plain stupid, a complete "cop out".
Don't Be Afraid of the Dark starring Kim Darby and Jim Hutton Directed by John Newland 1973 74 minutes Unrated
Don't Be Afraid of the Dark starring Katie Holmes, Guy Pearce and Bailee Madison Directed by Guillermo del Toro 2010 99 minutes Rated R When I was a little girl, I loved scary haunted house movies, as I do now. Of course, my parents were sensible and did not take me to see them at the movie theatre, so I had to watch them on television. One of the movies that made a big impression on me was Don't Be Afraid of the Dark. I had a hard time forgetting the creepy little creatures that came out of the fireplace and scared Sally (Kim Darby) to death. It didn't help that we had two fireplaces in our home and that my parents refused to brick them up to keep any creatures from getting out.
Imagine my joy to discover that the scariest movie of my childhood was remade by the famed director, Guillermo del Toro! True, there are changes, but the new version is equally great in its own right.
In the original movie, Sally and her husband Alex inherit a mansion from Sally's grandparents. They decide to keep it and fix it up. There is a mysterious room in the house that Sally finally breaks into and decides she would like to use it as a study, as her grandfather had done before her. The only problem with the room--the fireplace is mysteriously bricked up and the grate is bolted on tight. Sally asks the handyman, Mr. Harris (William Demarest), about why this might have been done and how to undo it. Mr. Harris reveals that he was the one who bricked it up after her grandfather disappeared, and he has no plans to undo and advises that Sally leave it alone. And, of course, she doesn't!
I watched this version again recently on dvd and was struck by how scary this movie still is, despite the distractions of the 1970s clothing, hairdos, decor, and the obvious phony little creatures. Kim Darby is very good at playing the character of a rather shy woman who doesn't quite know how to deal her unusual problem. She is lucky that she has a friend, but her husband (Jim Hutton) just thinks she is neurotic. Would my husband believe me if I told him I was seeing scary little creatures in the house? He might tell me they are just the children and get over it.
Throughout the movie I was shouting comments: "Mr. Harris, please tell Sally why you blocked up the fireplace in the first place!" "Sally, don't open that grate--you'll be sorry!" "Knucklehead husband, take Sally on the trip with you so she won't be alone!" "Sally, don't drink that water! It has those sleeping pills in it!" "Friend Joan, just take Sally to your house!" "Sally, GET OUT OF THERE NOW!"
The new version directed by Guillermo del Toro is quite different, although the same basic premise is the same. Sally (Bailee Madison) is now a young child, which actually works quite well in the story. Children often "see" things that aren't there and the grown-ups don't believe them. They also "see" things that are there because they are often more observant than the grown-ups, and their imaginations do not impede their belief in the unlikely. This young Sally has been shipped off to live with her father (Guy Pearce) and is depressed about the change. To make matters worse, her father is living with a new "mom" figure, Kim (Katie Holmes).
The father, Alex, and Kim are renovating a giant historical mansion in Rhode Island, owned by the late Emerson Blackwood, a wildlife painter who mysteriously vanished after the also mysterious disappearance of his son. The house is a showcase! Filmed at the Drusilla Mansion in Mount Macedon, Victoria, Australia, the house has everything from a large library, parlors, amazing staircases, lots of bedrooms, a huge garden, and a secret room with a bolted up ash pit. Wow, how amazing!
The Druscilla Mansion in Australia
The Blackwood Mansion in Rhodes Island
I liked how del Toro tied the creatures to the fairy world, making them a very frightening version of the Tooth Fairy. Kids like Sally would have been responsive to the idea of tooth fairies, since we are all familiar with the stories, but some fairies are actually malicious, devious, and tricky in folklore. The old tales tell of fairies who capture humans and keep them hostage, never to return to their families again. You can read more about the many types of fairies here. There are several references to this sort of fairy lore in the movie, including a lovely fairy ring of mushrooms.
Little Sally seems rather more enterprising in the del Toro version. She is very thoughtful and stocks up on supplies to help her deal with the creatures, such as the camera and other sources of light. Her helplessness is quite understandable since she is only a child and can't go where she pleases, although she does try to get away by running away from home. But the unsympathetic parents bring her back and just make her go to bed--right where the creatures want her!
The creatures were more believable and scary in the newer version of this movie, but mostly because technology in film making has advanced so much. I personally wouldn't want to meet either of these types of creatures.
If you would like to see trailers for these movies, here are the links:
Shadows Book Two in the Ashes Trilogy by Ilsa J. Bick Grand Haven, MI: Brilliance Audio 2012 Read by Katherine Kellgren 11 sound discs, 13.25 hours
Well, I finally made it through Book Two of this series. It was difficult, but I had to find out what happened to our main characters, who are:
Alex, the girl whose parents died and was dying herself from a brain tumor--until the electromagnetic pulse wiped out most of mankind and changed the survivors into zombies;
Tom, the soldier who survived Afghanistan only to find he might not survive the zombie apocalypse;
and Ellie, the young girl who was taken by adults but then left in the wilderness and now is in danger of being eaten.
Shadows answers some of our questions, but since this is a trilogy, you know it won't answer all of them.
The book begins with a look at Tom. Remember, Tom had been seriously injured and Alex had left him at a convenience store to find help in the small village of Rule, which was rumored to be safe. Alex made it to Rule, but when she finally convinced a rescue party to came back, Tom was gone. It turns out Tom was rescued by a kind couple, Jim and Grace, along with their dog, Raleigh. They took him to their cabin in Wisconsin where he was allowed to heal and rest, although in extreme seclusion from all prying eyes. Even this early, Jim and Grace know how dangerous it would be for them and Tom if the neighbors and bounty hunters found out that they were harboring a young man who had not Changed.
At the end of Book One, Alex planned her getaway from Rule so that she can look for Tom and gets help from Jess, an older woman who took her in when she first arrived. There is more to that situation, too, as you will find out. But Alex quickly discovers that her getaway has put her right into a trap and she is captured by a band of Changed, or "Chuckies" as they are sometimes called now.
What is a Chucky, you might ask? For those of you who haven't seen the movies, Chucky is a doll character from a series of horror films, the Child's Play series. The soul of a notorious serial killer inhabits a doll and then continuously tries to transfer into a human body. The doll acts like the serial killer, using the guise of the innocent looking doll to wreak havoc and viciously mutilate people.
Bad Chucky, Good Chucky
Our Changed teens have gone from being normal, thinking humans to vicious, inhuman monsters, kidnapping people and saving them for dinner. And now Alex is captured by them! And surprise, Rule has been assisting these Changed by "feeding" them the banished citizens in order to keep their settlement protected. We are left wondering what is really going on here? Who are the bad guys and how did this all develop so quickly? Can we trust no one any more?
Most of this story is about Alex's time with the group of Changed and her reactions to what terrible things she witnesses. She is quite helpless to get away, and all she can do is hope that she won't be selected next. I feel like bad luck follows Alex around and that every time she could get help or get away, we are trapped right back in the horror.
Meanwhile, Tom has healed, but he is nearly captured by a snoopy neighbor. He manages to get away with the dog, Raleigh, but then trusts the wrong person, too. He is then rescued again from nearly being recaptured by bounty hunters, but finds himself taken by a rebel group who want to blow up the old mine near Rule where the Changed are bringing victims. Tom is perfect for this job, since he worked with bombs and explosives in Afghanistan, so there is no chance for him to escape and continue his search for Alex. To make matters worse, the leader of the rebel group may be a double agent who lies to Tom about Alex being locked up in Rule, when really he knows she has been taken by the Changed.
At the end of Book Two, Tom finds Alex just as the bomb is about to go off and he cannot rescue her. Peter, one of the two young men from Rule, is imprisoned by a crazy militant who has given him the choice of eating human flesh or dying. Chris, the other young man, has been banished and has now fallen victim of a trap made by the Changed to capture more dinner.
Now all along I have wondered what happened to the little girl, Ellie. She had been mentioned during Alex's stay in Rule as she "smells" the bad guy who took Ellie. When confronted, the man confessed to leaving Ellie alone in the wilderness. He was then banished from Rule. But has Ellie died? We get a hint of her later in this story, as Chris, Alex's ally in Rule, lies buried in the snow as a result of the trap. A little voice is heard calling "Mina!" which is the name of Ellie's dog. Can she really have survived and if so, how? And how will Chris get out of the trap?
This story contains intense descriptions, using lots of metaphors and similes, of how the Changed zombies eat. Too much slurp, crunch, smack, munch, etc., along with vividly expressed comparisons of what the zombie feasting tastes, smells, sounds, and feels like for me. It becomes very hard to take after awhile. I get already that the Zombie Apocalypse would NOT be pleasant! I found myself wishing that the action would move faster, beyond the all-too-horrible descriptions.
I still want answers to my questions about how any of these can end at all well for Alex, Tom, and Ellie. There are too few normal people left from the zap that ended normal life, but we can only hope that once we get out of this small part of Michigan, we can find real help. And who are the real monsters here? I am beginning to think that the pulse changed everyone's brains in some way, even if they didn't turn into zombies. The older people may look normal and trustworthy, but they soon exhibit dangerous, ruthless behavior, too, that is probably scarier to me than that of the Changed.
I am not looking forward to more zombie feast descriptions, but I suppose I will try to read the third book, just to get some resolution if nothing else.
The Last Will and Testament of Rosalind Leigh starring Aaron Poole, Vanessa Redgrave Directed by Rodrigo Gudiño 2012 84 minutes Unrated
Here is a very unique ghost story by Canadian director, Rodrigo Gudiño, making his debut into horror movies with The Last Will and Testament of Rosalind Leigh. This movie has one actor on the screen for the entire film, a man named Leon Leigh (Aaron Poole), the estranged son of Rosalind who has just died. Rosalind is still present in the house and we hear her story told by Vanessa Redgrave who tries to explain her situation to her son. Besides the physical presence of Leon and the voice presence of Rosalind, we have a third major character, the atmospheric presence of Rosalind's astonishing and eerie house.
Rosalind Leigh, a member of a strange angel cult called God's Messengers, has just died in mysterious circumstances. Her son, Leon, an antiques dealer comes to her home, a house he has never visited while she lived there as Rosalind's voice informs us, to tidy up her estate. When he arrives he finds a house overwhelmingly full of antiques, many of them religious in nature. We also learn through a phone call that Rosalind has been buying up antiques that Leon has sold through his business agent, and Leon is naturally unhappy to find out that his mother has purchased these items, supporting him without his knowledge.
"Do you believe in angels?"
Through the course of the movie, we learn more about why Leon left home and refused to see his mother. Leon's father, another cult member, committed suicide, but the cult leaders were exonerated. His mother continued in the cult, trying to indoctrinate her son, her own "angel", into the cult beliefs. She had a ritual "game of candles" that she would use to try to get Leon to say he believed or else the angels among us would turn his back on him and he would lose their protection. It didn't work and he rejected her beliefs and eventually ran away never to return.
We follow Leon's exploration of the house. The camera shots are very interesting throughout the movie, not only following Leon's action, but panning the rooms showing all of artifacts of Rosalind's life. The set designer was very good at designing a house that is crowded without being absolutely cluttered, and also creating a very gothic atmosphere. Here and there are more personal touches left by Rosalind, including her photograph and several wall samplers with mysterious adages placed around the house that add to the ominous feeling.
"If a fork, it will be neither a man nor woman."
You might think this would be a boring movie, just following this guy around an old creepy house, looking at old stuff. But then things happen that are unexplained. Leon takes some items down to the basement and finds an angel figurine that brings back unpleasant memories of the "game of candles". When he heads back upstairs, the lights go out, so he heads back to look for the fuse box. Then the lights go back on. We see the angel figurine again on the television in the living room and Leon panics and calls his former girlfriend/psychiatrist. She talks him down from the panic, but things are not the same for Leon in the house. He has an visitor at the door (after dropping a fork during dinner), a neighbor who is also a cult member who tries to get Leon to come to a meeting. We see Rosalind's video on television of a meeting that shows evidence that she was still heavily involved in the mysterious cult. Watch out for the large angel statue, though.
Inside Rosalind Leigh's bedroom shrine
Leon finds the key to his mother's bedroom inside the angel figurine and unlocks the door. It is an odd room with a stairway down into darkness. Of course Leon goes down the stairs and we must follow. There we find the scene of the video, full of angel figures and other religious symbols. What was this room really used for?
The scariest part of the movie is the monster that comes from the back garden. It looks dog like and ferocious, and we think that Leon has managed to lock it out, but it somehow gets into the house, terrorizing him in his sleep. What unearthly creature is it? Maybe it is the loneliness that Rosalind hints at that "ate" her alive, waiting for her son to come back to her.
The ending of this movie was a surprise for me. I won't give it away, but part of the horror is that we are left wondering who really is the ghost here. Is it Rosalind, the dead woman who has been talking to us and her son after her death? Is it Leon, who may or may not have really been in the house at all? Or is it the house itself? Maybe it's all three. Watch and decide for yourself.
The Waking Dark by Robin Wasserman New York: Alfred A. Knopf 2013 454 pages
This is a fairly new horror book for teens by author Robin Wasserman. I had not read any of her books and the premise of this one appealed to me, but in many ways it fell short of my expectations.
This book is full of action but it is really disjointed. It took me nearly 100 pages to figure out who were the main characters of the book. They are:
Daniel Ghent: son of the crazy Preacher, survivor of a drug store shooting, brother of 8-year-old Milo
Jule Prevette: niece of the local meth producer, seeking to get away from her life, survivor of a family stabbing incident
Ellie King: a very devout teen who yearns to help her town but becomes a martyr instead, witness of the crucifixion of the church handyman by the religious leader at her church
Jeremiah West: gay member of the football team, witness of an inexplicable hit and run accident of his friend, Nick
Cassandra Porter: typical teenage girl until she dropped the baby boy she was babysitting out of a second story window and yet has no memory of doing it
The main catalyst for this story is a tornado which wipes out part of Oleander, Kansas. The disaster leaves the town shocked and people come together to clean up, but then the citizens begin to notice something strange. Although their cell phone and internet service is down, they had imagined that government volunteers and television crews would be descending on their town and helping everyone get back to normal. What happens instead is that their town is surrounded by supposed military personnel who enclose the entire town and tell everyone they are not allowed to leave "for their safety".
Tornado over Greensburg, Kansas in 1915
This is when things go drastically wrong. People begin to act in ways that are either uncharacteristic or more extreme, and never in a good way. They begin to commit crimes against each other, raiding stores, assaulting and murdering people, looking for scapegoats such as Cassandra, who has escaped her nearby mental institution during the storm and has come back to hide near her home. Before too long, the people of the town have descended into the "dark" that has awakened in their minds and anarchy reigns.
We don't learn what has caused the change until Cassandra and the doctor from her facility, who was captured, too, and thrown in the town's prison, escape with help from our other teenagers. The doctor is forced to tell the kids what she knows. They learn that they alone were given immunity to a drug called R8-G through their flu shots which, combined with a local natural condition that was aggravated by the tornado, is the perfect chemical weapon. The nearby facility was not a mental hospital/prison, as folks believed, but a chemical company's home base where they could experiment on the local population. Cassandra was injected with the drug, which led to hallucinations and caused her to black out when she committed her murder of the baby. R8-G causes people to commit atrocities to each other, quickly developing to a mass extermination of a population, I guess just to see what would happen. The company is keeping the town hostage while the drug continues to take effect, knowing that the end means that no one will survive.
I admire the teens who gradually find each other and band together to get out. They not only want to help themselves but they want to help the town. It is a small town and most people know each other. It is unfortunate that not all of our main characters could be saved, and the remainder feel and express real regret about that.
What I most disliked about the story was its lack of structure, its rambling prose that has trouble getting to the point. As I said before, Wasserman really took her time getting to the main action of the story and identifying the main characters and plot lines. We don't even learn about the fake government agency angle and the mind-altering drug explanation until Chapter 12, page 314. The insertion of "Oh, by the way" facts about the characters throughout the story was rather distracting and didn't help the story progress, or at best, just confused it. I don't necessarily object that we follow the story lines of several characters, but I think spending more time with them one at a time would have worked better. Also, focusing in on the main action instead of taking tangents all over the place would make a much tighter story. I think a good 100 pages could have been cut from the entire book by tightening up the story and removing tedious, superfluous details.
I would say this story is geared towards middle teens. It is a self-contained story, with no sequel-to-come feeling. While I didn't feel it was a complete waste of time reading it, I wouldn't put it on my best teen horror book list.
Monument 14: Sky on Fire by Emmy Laybourne New York: Feiwel and Friends 2013 217 pages
Well, if you read Monument 14 book and my earlier blog post, you will want to read this book which comes next. Compared to the first one, however, this one is more "fluff". That's not to say that it doesn't continue the horror. It just doesn't have as much substance in plot, character development, and descriptive passages as the first book. That's not necessarily a bad thing and I will explain further.
The action of the story has been divided into two viewpoints. We have Dean's, with Astrid, Chloe, Henry, and Caroline left in the Greenway. They are Blood Type O and, when exposed to the dangerous chemicals let loose in the atmosphere, they become raging monsters. With their concern for the smaller children, they have decided that it is better to stay and await rescue than endanger the others who left in the bus.
Dean's brother, Alex, travelling with Nico, Josie, Sahalia, Max, Ulysses, and Batiste, tells the story of the bus rescue crew. This is our first glimpse of the world outside the Greenway and it is scarier than we could have imagined. The bus doesn't haven't a clear windshield and seeing through the plexiglass makes the world look foggy. Someone has placed big, battery-powered floodlights along the highway, so it isn't completely dark. Despite the daytime hours, there is very little light coming from the sun which is obscured by dense clouds. The roads are cracked, but a sort of path has been cleared for the bus to pass through. Cars are everywhere but there is something strange about them. A white fungus has eaten the tires and is spreading away from the cars. What is it?
Seeing the world so devastated makes it hard to remember that we are only on Day 12 after the world ended as these kids knew it, less than two weeks.
Of course, we don't expect anything to be easy for either group of children. Back at the store, Dean and Astrid have new problems. Outsiders have seen the light from the opening when the bus went out and they try to get in. They take pity on some other strangers and throw food down to them from the roof, but this only leads to others coming and crashing into the store. The bus is taken over eventually by militant and paranoid older teens, who turn all of our small heroes out and leave them, first finding out where they came from. Of course, this spells further disaster for the Greenway kids and Alex and Nico know it. Somehow they have to walk the remaining 40 miles to Denver, all with masks and several layers of clothing, no food, blisters, and danger everywhere. And three of them are small children.
How do you eat in one of these things?
I said earlier that I felt like this was a "fluffier" book than the first one. Perhaps the main problem for me is that, because of the two story lines, we see more action rather than character development. I feel like I understand the main characters fairly well from the first book, but the new people they encounter just seem bad with no explanation or background behind them. We encounter only two kind helpers along the way to Denver: Max's Auntie Jean and an old man named Mario Scietto who takes the kids in for a couple of nights. I like more background and description in my stories, rather than so much dialogue, but since we are being told this story by the two brothers and they do not have the luxury of reflection time, I guess that could be too much to expect. The action is steady and tense, and I want to see these children come out okay.
Lucky for everyone, the bus kids make it to the Denver Airport and it really is a refuge and not just a rumor. The parents of some of the kids are found, and another parent helps with a daring rescue of the Greenway kids just in the nick of time. The book ends with the possibility of another book to come, since Josie is still separated from the rest. These kids have become a family, to themselves and to me, a fact reinforced by the change in Sahalia from a pouty girl who wants to prove how grown up she is, without really understanding what that means, into a big sister who cares for the others and wants to protect them. I want to see how things turn out for them. I will be watching for Book Three in this series.
starring Sara Paxton, Pat Healy, and Kelly McGillis
Written and directed by Ti West
2011
101 minutes
Rated R
Here is another "haunted hotel" movie for you fans of The Shining.There are a few elements that seem similar to the Stephen King story: empty hotel (it is closing after one last weekend), few main characters, and of course, ghosts covered in blood, but there are plenty of differences to make this an entertainingly spooky ghost story in its own right.
This movie takes place at a real inn in Torrington, Connecticut called the Yankee Pedlar Inn. It was built by Frank and Alice Conley and opened in 1891. There are 55 individual rooms and 5 suites. The inn boasts period furnishings and a tavern. Here is a link to their History page.
The Yankee Pedlar Inn Today
Alice and Frank Conley
Because the Inn is old, many people believe or assume that paranormal activity has occurred there. The most "haunted" room is Room 353 where Alice Conley died, and Alice supposedly still roams the halls, checking on guests. She sounds like a nice comforting ghost, one that the hotel guests wouldn't mind seeing, doesn't she? Despite investigations by the Northwest Connecticut Paranormal Society, however, there have been no confirmed manifestations of Alice, Frank, or anyone else at the Yankee Pedlar.
But just because there have been no positive sightings doesn't mean that the Yankee Pedlar Inn can't make a good backdrop for a paranormal horror movie.
Our story takes place at the Yankee Pedlar Inn, a once-grand hotel that is about to close (this part is fictional and the Inn is still open today). We meet the two remaining employees, Luke (Pat Healy) and Claire (Sara Paxton). There are few guests this weekend, a mother and son who leave during the beginning part of the movie; Leanne Rease-Jones (Kellie McGillis), a movie star turned new age counselor who is attending a convention; and an older man who wants to stay in the room in which he spent his honeymoon.
Madeline O'Malley
Luke dabbles in ghost hunting and runs a website about the Inn's supposed hauntings. He has been conducting investigations on his own and has equipment to record EVPs, but he hasn't really found much. Claire, who has just left college, has become Luke's ghost-hunting acolyte. She is fascinated with Luke's stories, especially the one about Madeline O'Malley, the bride who hanged herself after her fiance abandoned her on her wedding day. Madeline is said to be buried in the basement of the Yankee Pedlar, hidden there by the owners who didn't want the bad publicity her death would bring, I suppose. Claire really is impressed with Luke's website and wants to help him with the research.
Claire's naive intrigue with the ghost hunting process is the best part of the movie, and Sara Paxton's character and acting is the most convincing to me. Claire uses Luke's equipment to try EVP sessions around the hotel, searching for any response from Madeline O'Malley. Tension builds as Claire hears music coming from the unattended piano, sees Madeline's bloody face around the hotel, and other disembodied voices speak to her in the basement. Luke cannot handle this activity and freaks out, confessing that he has never actually experienced any paranormal occurrences at the Inn before, and leaves Claire in the hotel to deal with the situation herself.
By the end of the movie, though, I was not sure how much of the paranormal activity was really happening or if it were actually only in Claire's impressionable and receptive mind. Although we see all of the characters in action, I think this story takes place through Claire's point of view and we "see" what Claire sees without looking through her eyes via the camera. I don't think Luke really sees or hears anything in the basement but only reacts to Claire's seeing and hearing--"She's right behind you!" Leanne tries to help Claire with her crystal pendulum but urges Claire to leave the hotel because it isn't safe for her, but Leanne doesn't specify the source of the danger. Nobody else sees the ghosts of Madeline or the old man, who has committed suicide in his former honeymoon suite and is discovered by Claire in all of the bloody horror.
With Luke's interview by the police at the end come more doubts about the hauntings. Luke has come back after Claire discovered the old man's death. He agrees to find Leanne to tell her to leave the hotel with them, but Claire, left alone, hears noises in the basement. Thinking it might be Leanne, Claire goes down the stairs to check it out (we are all shouting, NO! DON'T GO DOWN THERE!at this point). She falls, hits her head, and starts seeing the ghosts everywhere. She locks herself in a room at the end of the basement hallway and cannot escape. The ghosts bang on the door, over and over. Already having established previously that Claire is asthmatic, we know what is going to happen and it does. But after the fact, Luke tells the police that it is he banging on the door and calling Claire to let him in. Where were the ghosts? Did he not see them?!
This movie is appealing for many reasons. I like the location of the empty, shabby chic hotel. The minimal cast also brings strength to the tightness of the story--not too many characters to confuse things. The ghost hunting by amateurs is also very believable to me and appealing, and yes, it can be dangerous. The bloodiest scene, the discovery of the old gentleman in the bathroom, is gory but we don't see it happen to him. The tension is built slowly with small noises, shadows, glimpses out of the corner of our eye. Then we feel all of the terror that Claire is feeling, from the panic of being left by Luke to finding the dead body and finally, the hysterical panicked run through the labyrinthine basement.
This movie is Rated R for bloody images and language. Here is the trailer for you. Don't get too scared!
Ashes by Ilsa J. Bick Grand Haven, MI: Brilliance Audio 2011 Performed by Katherine Kellgren 10 sound discs (11.3 hours)
At first I didn't know if I was going to be able to listen to this audio book or if I would have to read it myself. The narrator, Katherine Kellgren, has a very dramatic narration style that was distracting at first, with lots of loud shouting (there is a lot of shouting in this story), to lend some verisimilitude to the story's dialogue. After awhile, however, I got used to her style and became engrossed in the story.
Alex has gone on a pilgrimage to the fictional Waucamaw Wilderness of the Michigan Upper Peninsula to scatter her parents' ashes from Mirror Point on Lake Superior. Besides losing her parents too soon, Alex has her own "monster" to deal with, a brain tumor in her head for which there is nothing that can be done. By visiting the wilderness that meant so much to her family, Alex hopes to find some closure and make some plans to what future she has left. It's scary for her to be alone in the wilderness, but Alex's father taught her well and she feels capable of surviving for the few weeks she will be there.
Wilderness in the Upper Peninsula of Michigan
That is, until the strange electromagnetic pulse swept the sky. Alex, who has been visiting with a grandfather and granddaughter in their campsite, is knocked to the ground and begins to bleed from her nose. Jack, the grandfather, dies immediately, probably because of his pacemaker. Ellie, the 8-year-old granddaughter, also has survived. Being in the wilderness, Alex doesn't know the immensity of the disaster at first, but she and Ellie find out that none of their electronics work. Without Jack, Ellie is left alone, and Alex feels she should protect the little girl as best she can, but Ellie is scared and does not want to go with a stranger. Eventually they begin the hike down the mountain to the ranger station, but along the way, they encounter some of the "Changed," teens who have changed into cannibalistic violent zombie creatures and attack any living thing they can find. Some adults have survived, but only older, 65+ year olds. Besides being in the wilderness away from help, Alex and Ellie don't know how they will get home.
Eventually, Alex and Ellie meet Tom, a soldier from Afghanistan who has not changed either. The three of them, with Ellie's dog, Mina, find the ranger station and are fortunate to find food, water, and good shelter. But they can't stay there forever. They must find out what has happened and how to get help for themselves.
Most of the story is full of danger and separation. All three get separated from each other, and unfortunately, you won't find out any answers about what happens to Tom and Ellie by the end of this book. Alex is the main focus of Ashes, and we see her struggle to keep the group together, how they are parted through violence, and how Alex finds refuge in the strange town of Rule, an isolated place run by a religious "cult" who are trying to find as many unchanged, or "spared", teens as they can. Once you are allowed in to Rule, it is very difficult to leave unless the Reverend, the leader of the council, decides that you are no longer useful and then you are banished completely.
Alex also finds that along with the brain zap, she now has a super sense of smell and can smell what people are feeling and thinking. She can smell the Changed before she sees them. Another unexplained effect is the reaction of the dogs to Alex. They absolutely adore and trust her, and I think we will see Alex learn to use this to her advantage eventually.
1987 movie starring Michael Rubin,Steven McCoy, and George Seminara
With these sorts of zombie stories, I am often struck by the unexplained fact that these kids, the Changed, are able to eat other people without getting sick and dying from it. You would think that the effect of raw human blood and flesh on a digestive system unused to it would be rather disastrous, if not fatal. The author doesn't explain (yet) how the brains of these teens have been changed, we just see the results, but does it also change their other body systems? I have this problem with other zombie stories, too, so I'm not blaming Ms. Bick for failing to explain it sufficiently.
This story also reminds me of a Stephen King book, Cell, which I will review at a later time. In Cell, there is also a zap which comes through the cell phones. It turns people into mindless killing machines, too, who attack and eat each other. There is eventually more structure to those Changed, as they begin to group together and are held together through telepathy.
I recommend this story, which is Book 1 in a trilogy, to older teens, 15 and up. There is a lot of gore. The story is interesting and I am connected strongly to Alex, Tom, and Ellie, but I would rather not hear quite so many details about how the Changed rip apart their victims. And since I am left with Alex in the midst of five hungry Changed, I will have to listen to the next installment in Shadows (Book 2 in the Ashes Trilogy). I just hope I can stand all of the bloodshed!
Spirit and Dust by Rosemary Clement-Moore New York: Delacorte Press 2013 387 pages
Which cover do you like better?
I used to watch the television series Medium and have in fact been watching it again on Netflix. When I read the blurb about this book, I thought immediately of that program. This is a teen version of that basic premise, the psychic who helps law enforcement solve crimes. It is also book two, following Texas Gothic, about the Goodnight Clan. I didn't know this when I started reading, but Spirit and Dust is a good stand-alone book, so it won't matter so much if you read this one first, as I did.
Daisy Goodnight is a very modern teenager in many ways. She has dyed red hair, likes Goth clothing, and has an "kick-ass" attitude. But she is also very connected with the past. She is from a long family line of psychics who can talk to spirits, or remnants. These are not the souls of the dearly departed, but leftover fragments of the dead, associated with places they had been or where they died, or things they had touched. Daisy is asked by FBI Agent Taylor to assist with the murder of the driver of a kidnapped teen. Another wrinkle to the problem is that the teen is the daughter of a mobster, Devlin Maguire. Daisy is able to talk to the remnant of the driver but all she learns that there was something unusual and disturbing about this death.
Anubis, Egyptian God
of the Afterlife
Soon afterwards, Daisy is herself kidnapped and taken to the home of the crime boss dad. He wants Daisy to get busy and find his daughter. He offers the service of Carson, a young man who knows a lot about Alexis Maguire's habits, and a witch named Lauren. Lauren puts a binding spell on Daisy so she can't just hightail it out of there at the first opportunity. With Carson's help, Daisy and Carson escape and follow up a lead provided by Alexis's dead grandmother to the cemetery where they find a mysterious flash drive. Daisy now finds herself on the run with Carson, but the binding spell is still activated and Daisy must continue searching for Alexis.
All is not as it seems in this quick-moving, intense horror thriller. In searching for clues to the Alexis' disappearance, we encounter many dead people including archaeologists, Cleopatra, and the Egyptian God Anubis. Carson and Daisy's adventures lead them to several interesting places in the Midwest, including the St. Louis Art Museum, the Oriental Institute, and my favorite, the Field Museum. I was surprised to find out the truth about the Maguires and the part they play in Daisy's misadventures. Daisy is a likeable character, but I don't think her talent is thoroughly explored or explained very well. Perhaps if I had read the first book, I would understand her better. She has an "attitude" and is rather mouthy, or "kick-ass" as she puts it, which is somewhat explained by her age. I guess I myself sympathize with Agent Gerard, the agent who doesn't want to put up with the teen medium's smart aleck opinions on everything, since teen attitudes like this can get tiresome after awhile, at least to this mother of teenagers.
Sue the T-Rex, Field Museum, Chicago
My favorite part of this book, however, was not the spooky ghost bits with the spirits or the Jackal, but the descriptions of Sue, the Tyrannosaurus and the Field Museum. I love Sue, as most visitors do, and have marvelled at how large she is and how sharp her teeth look. And when Daisy reanimates Sue's bones so that she can chase down the bad guys, I can't help but think of the final scenes of the movie Jurassic Park, in which the T-Rex is running around inside the Park's welcome center. That would be a truly horrifying experience!
The Awakening starring Rebecca Hall, Dominic West, and Imelda Staunton 2011 107 minutes Rated R
This weekend was a good movie-watching one for me. Besides The Picture of Dorian Gray, a classic movie based on a classic book, I watched a "haunted house" film, my favorite type of horror movie. This one, called The Awakening, was filmed at Lyme Park, a beautiful yet eerie National Trust house in the Peak District in England. There are very few satisfying haunted house movies, especially recently, and the English seem to do it so much better than anyone else. This movie is no exception. It may have its flaws, but I found it quite satisfying and suitably spine-tingling.
The time is 1921. England is still recovering from the massive loss of life in World War I, and everywhere people are searching for comfort from spiritualists. Rebecca Hall plays Florence Cathcart, a ghost hunter who specializes in exposing phony mediums. She has written a book on the subject and is known for her expertise and intelligence.
Directly after a successful and exhausting hunt, Florence is visited by Robert Mallory (Dominic West), a teacher at a boys' boarding school where a child ghost has been seen by many of the boys. The ghost has appeared in the class photographs over the years, and the headmistress of the school (Imelda Staunton), a devotee of Cathcart's book, would like her to come and investigate.The catalyst of the request, however, is a recent death of student and the other boys are convinced that the ghost had something to do with it. Despite Florence's exhaustion from her last hunt, she is intrigued by the case and agrees to go with Mallory to the boarding house.
Once at the boarding house, we learn that it used to be a private home and a young boy had died there. Using the latest ghost-hunting apparatus, Florence quickly discovers the non-ghostly cause of the student's death. The case is closed and she packs up and prepares to leave. The school is shut down for half-term and all of the boys depart, all but one.
Strange things begin to happen directly to Florence. She sees someone in the lake and falls in. She sees scary little dolls in a dollhouse version of the boarding school that look like people in the school, set in scenes from her activities.She sees a boy where none should be, and flashes of other people appear. Things like this aren't supposed to be happening to a realist like Florence. Add a budding romance between Florence and Robert Mallory, a rather odd headmistress, and a psychotic groundskeeper and you have the makings of a really satisfying old-fashioned ghost story.
Here is a trailer for the movie. The R rating is for scariness, nudity and sexual content.
After watching movie, I was interested to learn more about the location of the boarding school. Lyme Park is a National Trust home and you can visit. Here is a website to learn more. Fans of Jane Austen movies will recognize it as Pemberly, the estate of Mr. Darcy in Pride and Prejudice (1995, Colin Firth and Jennifer Ehle).
Lyme Park, Disley, Cheshire, England
Since I am also interested in art, I was interested to see another spooky painting in this movie. "It came with the building, it's the boys' favorite." Mallory thinks it is a painting of the beheading of John the Baptist, but erudite Florence corrects him and identifies it as Judith Slaying Holofernes, taken from the biblical story of Judith in which she kills the Assyrian general after he has fallen asleep drunk, thus delivering the Kingdom of Israel. Many painters have dealt with this bloodthirsty topic, including Titian, Rembrandt, Caravaggio, Donatello, and others but the painting shown in the movie is by the Italian early Baroque artist Artemisia Gentileschi (1611-12) and is especially gory with blood. It doesn't refer to any other part of the movie's story but is just another interesting fact, perhaps to illustrate Florence's intelligence.
You might also be interested in listening to the entire hymn, Be Still My Soul, which is sung in the movie and uses the beautiful theme from Finlandia by Finnish composer, Jean Sibelius.
The Picture of Dorian Gray, Ivan Albright, 1945
The Art Institute of Chicago
This past week I went to one of my favorite places, the Art Institute in Chicago, and saw this painting by Ivan Albright, The Picture of Dorian Gray (1945). It was painted for the movie based on Oscar Wilde's only novel with the same title, directed by Albert Lewin and starring George Sanders, Hurd Hatfield, Donna Reed, and Angela Lansbury. On its own, this painting portrays an unreal and disturbing monster of a person, his clothes are slashed, stained, and decayed. The colors of the painting are strangely muted, not as bright as one might think blood and gore should be, but they are also more organic looking as a result. And this is a painting that developed organically.
In the movie, filmed in black and white, there are a few moments of color. The first comes when we get to see the painting of Dorian that his friend, Basil Hallward, had just completed. It shows a young gentleman who is self-assured, talented, wealthy, upper-class, and flawless.
Portrait of Dorian Gray, painted by Henrique Medina
for the movie The Picture of Dorian Gray (1945)
In the story, Dorian Gray meets and befriends another friend of Basil's, Lord Henry Wotton, whose world view is based on hedonism and the fulfillment of the senses. All experiences are worth having, good and bad, without considering the consequences to others. I am not quite sure how this works into his other opinion that seeking Youth and Beauty are of the highest value in life, since I do not associate bad or evil experiences as a way to finding Youth or Beauty. Dorian likes his portrait and wishes that he could always be young and beautiful while his portrait would change. Lucky for him (or unfortunate for him, as the case may be), there just happens to be a little statue of Bastet, the Egyptian cat-goddess nearby. She appears in the portrait to Dorian's right. Perhaps we are meant to think that Bastet is sympathetic to the search for Youth and Beauty and wishes to give Dorian what he wants, or perhaps she might feel that he is foolish to wish for something like this and wants to teach him a lesson.
Dorian's infatuation with Sibyl Vane is a good example of his incorporating Lord Henry's philosophy into his own life. His infatuation with Sibyl and then his rejection of her at the advice of Lord Henry, in the guise of a test, shows that Dorian doesn't comprehend, although he might still care at this point, what he represented to Sibyl. She is desperate for a way to leave her life of singing in the little club, and her mother seems to constantly tell her that she deserves better. When "better" finds her and Dorian offers her a way out, she snatches it eagerly despite the inequality of their situations. But Sibyl is not willing to go against her moral standards to be with Basil and certainly does not expect to be rejected so utterly.
The next shocking flash of color comes when we again see the portrait. Absorbing all of the vices of the model, the painting has become gross, decayed, and terrifying. We haven't seen Dorian commit many crimes during the story and movie; we only know that 18 years have passed since Sibyl's death. We can only imagine the atrocities he has committed over the years. Of course, the horror of his murdering his friend Basil on top of the seduction of young innocent Gladys Hallward, who naively things that just because Dorian is so good looking, the things people say about him can't be true, are only a small sample of Dorian's vices. But the ending of the story proves that there can be redemption after all but at what price? This painting has come to represent his soul, what he has become deep inside and hides from the world. Can anyone this ugly and horrifying inside be capable of caring for anyone but himself? Will Gladys end up like poor Sibyl?
I thought Hurd Hatfield was a good choice for Dorian. I was particularly struck by how mask-like his face is throughout the movie, so smooth and wrinkle-free. But to have a face like this, it would imply that this person also doesn't show any emotion. Smiles cause wrinkles, too, and Hurd as Dorian doesn't ever seem to smile or laugh. Does he enjoy his life? Perhaps he is not capable of it.
If you haven't seen this movie, I recommend it but not as a substitute for the novel by Oscar Wilde. That is a classic of literary horror and shouldn't be missed.
The Albright painting was painted with the Medina portrait as the base. I wish the Art Institute had both of them side by side to show the contrast. Without the other, Albright's painting is a ghoulish painting that exemplifies a life spent in evil pursuits, or maybe it is just another zombie picture. Nasty but interesting. We don't understand the message of the book without the "original" to compare to it.
The Graveyard Book by Neil Gaiman New York: Harper Children's Audio 2008 7 sound discs (ca. 7.5 hours)
First of all, let me tell you that I think I have given up reading Neil Gaiman books myself. If I can find a sound recording with Neil Gaiman reading his own story, I will choose that EVERY time! What a great reader! I always love a good audiobook for my long car rides back and forth to work, but when the author himself (or herself) performs it so well, that is better than anything! We could go into how pleasing the deeper male voice (with British accent) is to female ears, but that doesn't matter here. Others I know who are male also think Neil Gaiman is just a great teller of his own stories. It is definitely worth hearing them in his own voice, if you want to try one of his books.
Spookily titled The Graveyard Book, this is not the scariest book you will ever read. It is, after all, for ages 10 and up and has received the Newbery Award for good reason. It is well-written, interesting, sometimes funny, with interesting characters, both alive and dead, and just plain entertaining. I like it for all of those reasons. It also has some horror elements which I want to discuss here in this blog, since we are talking about scary books. This author is very adept at adding the scary factor to children's books without getting too heavy handed, yet as an older reader (or listener), I can appreciate that there is more to make us afraid than the children might know.
This story, which Gaiman admits is loosely based on The Jungle Book, is about a small boy. One evening a stranger enters his home and killed--yes, in a children's book--the mother, father, and older sister of this small boy. The boy, who is only about two or three at the time, somehow manages to climb out of his crib, go down the long flight of stairs, out the open door, up the street, and into the old graveyard at the top of the hill. This small boy is then taken in and protected by the inhabitants of the graveyard, especially Mister and Mistress Owens who become his parents, and also a gentleman named Silas, about whom we learn more later. The toddler is named "Nobody Owens," and has the run of the graveyard and he is safe from the man who is still looking for him.
Most of the story is a bildungsroman about the boy Nobody, or Bod for short, and his growing up as the only living boy in the graveyard. His life isn't unhappy, just different. He has friends, tutors, and skills that most living people never learn such as fading, haunting, passing through solid objects, etc. Silas, his guardian and only person who can leave the graveyard, finds food and clothing in the outside world for him. We watch him grow and learn and change as time passes.
One day, Nobody finds a living friend, a little girl named Scarlett who visits the graveyard. Her parents think she is playing with an imaginary friend, and Scarlet isn't sure herself if Nobody is real. Scarlett eventually moves away and Bod is left without another living friend for a time. Scarlett is Bod's only live friend throughout this story, but even she cannot really understand him and his situation.
Behind all that happens is the knowledge that we haven't seen the last of Jack, the man who assassinated Bod's family. We don't know why he did it either, but since Silas and the ghosts are so adamant that Bod never leave the graveyard because this man is still after him, we are on edge, too. There is a close call concerning Jack, when 8-year-old Bod sneaks out of the graveyard to go into the town to sell an ancient brooch recovered from a barrow for a headstone for his witch friend, Lizzie Hempstock, buried outside of the graveyard in unconsecrated ground. The shopkeeper locks up the strange boy in his storeroom, and remembers someone who was looking for a boy like that, a man named Jack. Luckily for Bod and us, Lizzie came to the rescue and Bod gets away.
The true horror of the book takes place near the end of the story. Scarlett returns to the town and discovers that her friend, Nobody, isn't imaginary after all. She encounters him again while assisting another new friend, a Mr. Frost, with some grave rubbings. The two friends are glad to see each other, and Bod is happy to tell somebody his story. Scarlett takes it upon herself to find out more about the murder of his family and asks her friend Mr. Frost for help. Well, it just so happens that Mr. Frost is actually living in the house where this took place! Coincidence, you might ask? Probably not!
The Egyptian Avenue at Highgate Cemetery, London
taken by John Armagh, 12 August 2007 (wikimedia commons)
I don't want to give away all of the story because I really hope you will read this book. Let me just say that Bod is very fortunate to have the friends he does who have taught him the unusual skills he uses to defeat the bad guys in the end. We also learn about other strange and scary creatures in this book, including ghouls, sleers, Hounds of God (otherwise known as werewolves), and vampires. The ghosts are actually the least scary creatures in the story, since the living people Nobody encounters are, for the most part, rather terrifying.
I know the ending is meant to be happy when Bod is finally able to leave the cemetery (you have to read how that comes about), but he is only 15. He hasn't been to a modern school for more than a month or two, and lacks any live family or connections. He hasn't spent any significant time with living people and lacks social skills from modern times, since most of those skills were formed by the long-dead graveyard inhabitants. Silas has given him money, but will he know how to get on? As a mother myself, I'm as worried about him as Mistress Owens now. But Nobody Owens has proven himself to be resourceful, so we can only hope that he will be okay.
Another wonderful part about listening to this story rather than just reading it are the musical interludes on each cd. Béla Fleck, "banjo renegade," has contributed a marvelous rendition of Camille Saint-Saëns' Danse Macabre, with Ben Sollee on cello. The banjo is actually a very nice choice for this, duplicating some of the traditional violin sounds, but it also capable of sounding like the "bones," usually played by a xylophone or marimba. Below is a link to part of this recording, which is available on itunes. If you would like to hear the original orchestral Danse Macabre, try this recording. Any afficionado of horror should be familiar with this musical story of Death playing for skeletons in a graveyard until cock crow. It's a magnificent piece of music that is perfect for this story, made even more perfect with Fleck's unusual instrumentation.
