Wednesday, September 16, 2015

Shutter




Shutter 
by Courtney Alameda
New York: Feiwel and Friends
2015
372 pages
I picked up this book a few months ago and finally got to it. The premise of the story was really appealing to me. We have ghost hunters, vampires, allusions to old stories, all in a rather dystopian plot.

For those of you have not read Dracula by Bram Stoker, you may not remember the main characters of that story and will not understand the references in this book. The characters are:

  • Dracula, a vampire
  • Jonathan Harker, a young London solicitor
  • Miss Mina Murray, Jonathan Harker's fiancée
  • Miss Lucy Westenra, Mina's BFF
  • Dr. John Seward, the head of a lunatic asylum
  • Dr. Abraham Van Helsing, expert in medicine, folklore, and the occult
  • R. M. Renfield, a mad patient of Dr. Seward

Van Helsing confronting Dracula in the 1957 Film, The Horror of Dracula

The families of Helsing, Harker, Stoker, and others are important to our present story. Descending from Abraham Van Helsing, the present heroine of our story, Micheline Helsing, is a member of a proud and active ghost hunting family. They have become the leaders in capturing ghosts, necros (paranecrotic creatures who emerged from the plague graves of the fifteenth century, with a mutated strain of the Black Death), and other monstrous creatures.

Most ghost hunters catch their prey's energy with charged silver panes or mirrors, later dipped in insulating glass to keep the ghost from escaping back into the living world. Micheline, however, has more unusual methods. She uses cameras mainly, not digital cameras but old-fashioned analog cameras and film. She shoots the ghost several times on one frame of film which captures the light and the modified quartz lenses conduct a ghost's electricity. Then the ghost's energy is whittled away by each shot until they are finally sealed into the film's silver halide trap.



Micheline has a reputation for never having failed in a hunt.

Our story begins with a cry for help at Saint Mary's Hospital. People are dying in terrible ways. A ghostly presence has taken over one of the floors and has mutilated some of the patients, nurses, and doctors. There is chaos and commotion everywhere. Micheline arrives first, before her helpers, and makes a split second decision to go in alone and do what she can. She rushes inside without looking back.

Any of us can tell that this was a very bad idea. And sure enough, disaster befalls Micheline and her helpers--Ryder, Luke, and Oliver--who finally show up to help with the capture. But this is no ordinary spirit. This ghost seems intent on revenge against the Helsings, "Hand for hand, and tooth for tooth..."

In the end, the ghost vanishes and Micheline, Ryder, Luke, and Oliver are rushed to the hospital. The ghost has infected them all with something diabolical . Paranecrotic innoculations are begun but to no avail. They are not suffering from necrosis but something even worse--soulchains that tie them to the creature who infected them. Unless they find this creature and destroy it before the end of the week, they themselves will be destroyed.


Micheline and the boys end up on the run, having to deal with their problem. They escape to the Helsing's former compound, abandoned after the disastrous death of Micheline's mother. There, they troupe of ghost hunters makes their center of operations. The evil ghost leads them on a destructive rampage through the city, bringing mutilations and death in order to set a trap Micheline.

Who is this diabolical ghost with a grudge against Micheline and the Helsings? That revelation almost stops Micheline in her tracks. But this is not the end of the story; there is an even bigger surprise in store for the Helsings that could lead to the end of that family completely.

This book is by a fellow graduate from my alma mater, Brigham Young University. Courtney Alameda graduated with a degree in English Literature with an emphasis in Creative Writing. The back cover blurb also tells me that she is also a librarian!

I  think, because of the technical language and the descriptions of gore and violence, this would be a more suitable story for older teens, 15 years and up.